Free Ebook Csound Power!By Jim Aikin
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Csound Power!By Jim Aikin
Free Ebook Csound Power!By Jim Aikin
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Csound, a free, cross-platform, do-it-yourself software solution for sound synthesis and music production, has been growing in power for more than 25 years. Getting started with this highly sophisticated system can be a bit daunting for new users. But once you've mastered the basic concepts, using Csound is nearly as easy as plugging patch cords into a modular synthesizer. That's where CSOUND POWER!: THE COMPREHENSIVE GUIDE comes in. This definitive reference to Csound provides a thorough look at the most important features of this powerful program--as well as an introduction to a few secret features that even experienced Csound users may not know about. In this hands-on resource, you'll learn how to download and install Csound, how to understand the structure of a .csd file, and how to use dozens of the most important opcodes in the program. You'll find concise explanations, hands-on projects, and numerous code samples that will help you take advantage of Csound's dense, feature-rich environment and make a powerful difference in your music-production workflow.
- Sales Rank: #1353303 in Books
- Brand: Brand: Course Technology PTR
- Published on: 2012-01-20
- Original language: English
- Dimensions: 10.75" h x 8.50" w x 1.00" l, 1.80 pounds
- Binding: Paperback
- 304 pages
- Used Book in Good Condition
Review
1. The World of Csound. Why Use Csound? Why You Might Not Want to Use Csound. A Quick History of Csound. Resources: Mailing List; The Online Wiki Manual; How to Use the Canonical Manual; Books for Further Study. 2. Downloading & Installing. Choosing the Correct Version: -d vs. -f Versions; When to Use an Older Version. Running the Installer: Windows; Macintosh; The Many Flavors of Linux. Setting Up Your System. Audio I/O: Real-Time Output vs. Rendering; What Are Portaudio and Jack? Testing Your Setup. What the Console Output Means. Running Csound from the Command Line. Command-Line Flags. 3. The Structure of a .csd File. The .orc/.sco File Concept. Tags. The Orchestra Header. Adding Comments to Your Code. Macros. Compiler Error Messages. 4. Using the QuteCsound Interface. The Main Windows. The Configuration Box. The Editor Window: Fixing Known Editor Glitches in Windows. Widgets. Accessing the Manual. Syntax Hints. Live Events. 5. Building Your Own Instruments. instr and endin. i- vs. k- vs. a-. p-fields and p-values. A Simple Tutorial Instrument. Adding Features to the Tutorial Instrument. Adding Still More Features. Logic and Flow Control. Debugging Tips: Common Errors; Using Print Statements. 6. Writing a Score. i-statements. t-statements. f-statements. Looping Score Sections. Advancing the Clock. Using Macros. Creating Score Events from Within the Orchestra. 7. Thirty Opcodes You Must Know. What Is an Opcode? Tone Generators: Basic Oscillators; FM Synthesis; Granular Synthesis; Formant Synthesis; Sample Playback. Envelopes. Filters. Noise Generators. Global Signal Routing. The Important GEN Routines. Table Operations. Panning. Dynamics. Analysis and Resynthesis. User-Defined Opcodes. Sound Design in Csound -- Principles & Ideas. 8. Other Front Ends. blue. WinXsound. Cecilia. AthenaCL. 9. Using Csound with MIDI. Setting Up a MIDI System. The MIDI Opcodes. Performance Considerations. 10. Other Options for Real-Time Use. OSC. Real-Time Audio Processing. Using Csound with Pd. 11. Creating Audio Effects. Delay. Reverb. Waveshaping. Chorusing. 12. Algorithmic Composition Using Python.
About the Author
Jim Aikin has written hundreds of articles on music technology for Keyboard, Electronic Musician, Mix, and other magazines. He is the author of POWER TOOLS FOR SYNTHESIZER PROGRAMMING, CHORDS & HARMONY, PICTURE YOURSELF PLAYING CELLO, and two out-of-print science fiction novels. His short fiction has appeared in Asimov's Science Fiction, The Magazine of Fantasy & Science Fiction, and other magazines. He is also active as a hobbyist computer programmer, having released half a dozen freeware text adventure games. To learn more about his varied activities, visit www.musicwords.net.
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